Upcoming events.

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CLUB220: Screenprinting #1 - Coating / set up + cleaning
Oct
3

CLUB220: Screenprinting #1 - Coating / set up + cleaning

Learn how to coat a screen with light sensitive emulsion, the first step in your screenprinting journey! Clean your screen and tools in our washout room once you're done printing - screen cleaners, emulsion removers, power washers will be covered! We'll also have printing and demo time with art already prepared for you. AS220 Community Studios members can use discount code STUDIOMEMBER220 to take this class for free. Additionally, BIPOC folks can use code BIPOC25 for a 25% discount.

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OCTOBER GALLERY EXHIBITIONS!
Oct
4
to Oct 25

OCTOBER GALLERY EXHIBITIONS!

AS220 MAIN GALLERY

@115 Empire St

Bedouin Dreamscapes | Eman Abdalla

As an abstract artist, I work primarily with acrylics, each piece beginning with meditation and self-reflection. I focus on a single emotion tied to a memory, diving deeper until it shapes the movement of the brush. With every stroke, I work to silence the voices of conformity and criticism, creating a chaotic balance where color and motion collide. These paintings are where ritual meets deconstruction—where fragments of memory and emotion transform into an inward world of reflection and resilience. Recurring images—the eye, neuron-like threads—emerge as quiet symbols of vision and thought, inviting viewers to travel through each piece and discover what resonates within their own story.

Mello Art | Steve Mello


I will create a beautiful painting at the client's specific requests such as; any specific color coordinations, any preferable mediums, and any particular theme,  still-life, floral, land or seascapes.  


PROJECT SPACE

@93 Mathewson St.

SCRAPPY | Linsey Wallace

Linsey Wallace is Providence-based multidisciplinary artist using sculpture, installation, performance and video to explore class disparity, connectivity and ecology. The artist’s use of personal storytelling and somatic gesture seeks to activate the liminal space between physicality, impression, collective memory and imagination.

Wallace earned an MFA in New Genres from San Francisco Art Institute and a BFA in Sculpture from Maine College of Art. Linsey has exhibited at The Lab in San Francisco, Berkley Art Museum, ICA Portland and The Tank in NYC. Linsey is a 2024/25 fellow of the Providence Commemoration Lab. She is co-founder of art production company Chroma Council and serves on the board of the Museum of African Culture in Portland, ME.

READING ROOM

@93 Mathewson St.

Peonies| Roger S Williams

This series of acrylic paintings and sculptures explores moments of softness and vulnerability.


ABORN GALLERY

@95 Empire St.

Idioms of Distress: Being Khmer Elsewhere

curated by Savonnara Sok

artists: Adrianna Touch, Alex Tum, Chummeng Soun, Dana Heng, Daniella Thach, Jamie Keth, Kannetha Brown, Leiyana Simone Pereira, Linda Sok, Marius Keo Marjolin, Mel Taing, Oussa Mira Bun,, Princess Moon, Samnang Riebe, Savonnara Alexander Sok, Vuthy Lay, Peter Veth

This exhibition will present artists of Khmer heritage and how their individual practices are informed by their relationship with being Khmer/Cambodian. Rather than being placed under the easy umbrella category of “Asian Diaspora,” this exhibition will specifically focus on the new generation of post-Khmer Rouge artists. The genocide-fueled diaspora has displaced, decontextualized, and demanded different levels of survival. The existence of a contemporary creative culture beyond the Killing Fields is a testament to the endurance and power of art in the context of a cultural evolution.

Not one story is exactly the same—each artist has navigated being a ‘fish out of water.’ We create while holding close the traditions and legacies our ancestors endured so much for, knowing their resilience is the reason we are here today. We follow our creative passions not only to honor them, but to push our culture forward and make our voices heard. Our intersectionalities shape who we are, and they are our strength. In light of current events along the borders of Thailand and Cambodia, this work becomes even more urgent. We cannot and will not be erased. Here’s to being Khmer elsewhere.

Resident Gallery

@131 Washington st.


Trick or Treat | LUMUKU

LUMUKU presents Trick or Treat, a new collection of illustrations created just in time for the arrival of autumn. Come celebrate the spirit of Halloween with this fun and slightly spooky bunch of characters!



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CLUB220: Screenprinting #2 - Printing acetates / burning screens
Oct
10

CLUB220: Screenprinting #2 - Printing acetates / burning screens

Learn how to print out your art on a transparent acetate which we'll then use to expose onto a screen with our large exposure unit for you. We'll also have printing & demonstration time with art already prepared for you to pull. AS220 Community Studios members can use discount code STUDIOMEMBER220 to take this class for free. Additionally, BIPOC folks can use code BIPOC25 for a 25% discount.

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CLUB220: Screenprinting #3 - Heat press / trouble shooting with Community Studios Clubs
Oct
17

CLUB220: Screenprinting #3 - Heat press / trouble shooting with Community Studios Clubs

Learn how to properly and safely use our heat press to permanently set your newly printed designs on fabric so it won't wash out! We'll also have printing & demonstration time with art already prepared for you to pull. AS220 Community Studios members can use discount code STUDIOMEMBER220 to take this class for free. Additionally, BIPOC folks can use code BIPOC25 for a 25% discount.

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CLUB220: Screenprinting #4 - Burn your own screen / print practice
Oct
24

CLUB220: Screenprinting #4 - Burn your own screen / print practice

Use all the skills you've acquired in the last three workshops to burn your own screen all by yourself and practice printing your art! AS220 Community Studios members can use discount code STUDIOMEMBER220 to take this class for free. Additionally, BIPOC folks can use code BIPOC25 for a 25% discount.

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Khmae Urban Ballet :          A Journey Home
Oct
25

Khmae Urban Ballet : A Journey Home

Join us for the closing reception of IDIOMS OF DISTRESS: Being Khmer Elswhere with a spectacular performance by Khmae Urban Ballet.

A Journey Home tells a deeply moving story of separation, intergenerational trauma, and the will to survive as families are torn apart through deportation. Drawing from lived experiences and ancestral memory, the production reflects on the fractures caused by forced displacement while also illuminating the resilience that binds families together across borders.

At the heart of the performance is a celebration of beauty found in transitional art forms—where Khmer classical traditions meet contemporary expressions to create a language of healing, remembrance, and resistance. Through dance, gesture, and collective storytelling, the piece invites audiences to reflect on what it means to lose home, to rebuild it, and to carry cultural identity forward against the forces of erasure.

scan qr code to RSVP on EVENTBRITE Now!!

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Memory, Family, Legacy: Artist Panel
Sep
18

Memory, Family, Legacy: Artist Panel

Jazzmen Lee-Johnson, Trained 2 Go

Memory, Family, Legacy: Artist Panel 

to accompany the exhibition GO ‘HEAD, FIX YOU A PLATE

Thursday, September 18, 5 - 7 pm | AS220 Aborn Gallery at 95 Empire St.


Join us on Gallery Night to meet the artists. Hear from Jazzmen Lee-Johnson, Jordan Seaberry, and Dominique Sindayiganza as they speak about their work and the making of this show with curator and cultural researcher Melaine Ferdinand-King. Learn how history, memory, and personal and familial archives inform their creative practices, as well as their thoughts on art as a tool to inspire reckoning, change, and transformation. The gallery will be open late from 5 - 7 pm, with the artist panel from 6 - 7 pm.


This event is free and open to all. Register on Eventbrite. Entry is first-come, first-served.


GO ‘HEAD, FIX YOU A PLATE

September 13 - September 27, 2025

Curated by Jazzmen Lee-Johnson + Persephone Allen

AS220’s Aborn Gallery

95 Empire Street | Second Floor and Windows | Providence, RI 02909

Gallery Hours on Thursdays from 1 - 6 pm, Saturdays from 1 - 5 pm, and by appointment

GO ‘HEAD, FIX YOU A PLATE is made possible in part through support from AS220 and Providence’s Department of Art, Culture, and Tourism (ACT).

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SEPTEMBER GALLERY EXHIBITION
Sep
13
to Sep 27

SEPTEMBER GALLERY EXHIBITION

IN THE AS220 GALLERIES

September 6-27th, 2025

opening | Saturday September 6, 2025, 5-7pm

Images ( L to R) : Michael Yefko | Jazzmen Lee-Johnson | John Bhogal




AS220 MAIN GALLERY

@115 Empire St




​​I deserved a better goodbye | John Bhogal

John Bhogal’s creations show the capacity to overcome, To heal and to thrive. Although, today John Bhogal still lives under the pressure of every day reality he continues to tattoo and inspire others to self express, finding the light within darkness through paintings. 




"Born from the ashes of urban struggle, and growing up in group homes and foster homes

 

my art transforms pain into purpose. Through vibrant colors and bold strokes, I reclaim my narrative, shifting the gaze from despair to resilience.




From streets of hardship to canvases of hope, I weave tales of redemption, inviting viewers to witness the beauty in the broken. My journey is one of transformation, where darkness fuels creativity, and adversity births strength. I paint to heal, to overcome, and to proclaim: beauty can bloom in the most unlikely places."



PROJECT SPACE | READING ROOM

@93 Mathewson St.



Then and Again | Michael Yefko

Then and Again explores the ways bodies of work evolve and interrelate over time. In particular, it explores how the drawing process is informed by and informs an idea that can evolve in surprising ways: wild places become tame, tame becomes chaotic, and chaos harkens new problem-solving strategies. The work in the show stems from my interest in constructed environments, such as architecture, gardens, and golf courses, and in process systems like scribbling. What interests me as an Artist is invention and design, not recording a particular moment. My goal is to show how form, process and material collaborate to form artistic intent.


For this show, I wanted to select four drawing series that were unique from one another by the materials used. Color pencil, pen and ink, paint on paper, and graphite each exercise the drawing process in their unique, intrinsic ways. I enjoy the diversity of approaches each material offers—from the tightness while sitting with a pen and drawing on an intimate scale to the swinging tempo of graphite at the end of outstretched arm. What is important to me is how working with these differences “adds up” over time. I have also included in the show a group of sculptures formed from repeating shapes that echo the images formed in the drawing series. What interests me is how the viewers’ shifting perspectives as they walk around the sculptures echo the serial readings of the drawings.


I love the abstract and how that language can be used in various ways from the optical to the conceptual. As an Art educator, I was always inspired by working with foundation concepts like line, form, color, and pattern. I believe that by working serially one reveals how the work informs and ask questions of itself, as if guided by and shaping what Frank Stella refers to as the “Abstract Narrative.” 




ABORN GALLERY

@95 Empire St.


GO ‘HEAD, FIX YOU A PLATE |  Jazzmen Lee-Johnson + Persephone Allen

What does it mean to make a home? To create and share space? Space to celebrate, to grieve, to come together? Space to honor those who have passed and those they leave behind? GO ‘HEAD, FIX YOU A PLATE brings together new work by artist Jazzmen Lee-Johnson as she considers these questions of memory, family, and legacy. Alongside new works in this exhibition, Lee-Johnson has carefully curated a collection of photos, books, toys, records, and cassettes that recall her nostalgia for growing up in Baltimore and the familial homes she frequented. Here, she invites artists Becci Davis, Jordan Seaberry, and Dominique Sindayiganza to join her in exploring the universal need for spaces of self expression, cultural tradition, pleasure, rest, and dreaming while reckoning with the complexity of how to be at home in the United States amidst inherited and lived experiences of racism, violence, oppression, and incarceration. Through prints, paintings, textiles, furniture, animations, and installation, works by Lee-Johnson, Davis, Seaberry, and Sindayiganza transform AS220’s Aborn Gallery and evoke Black matriarchal home spaces where families gather to party, resist, mourn, organize, and seek respite.


We invite you to take a seat and consider who and where you come from and how this has shaped you. This exhibition is designed to inspire self reflection, as well as community action. We aim to offer art and space with which to examine the past, witness reverberations across generations, and cultivate connections and care. GO ‘HEAD, FIX YOU A PLATE will be activated throughout the month of September with community workshops and public events. We hope you will join us to share your story, too.

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