Lydia Lunch Retrovirus:

“In November 2012, Lydia Lunch toured select cities across North America with a monstrous unit dubbed RETROVIRUS, featuring guitarist Weasel Walter (The Flying Luttenbachers, etc.), bassist Algis Kizys (Swans, Foetus) and drummer Bob Bert (Sonic Youth, Pussy Galore, Chrome Cranks). The set consisted of a quasi-chronological display of musical raw power, ranging from material by Lydia’s classic units Teenage Jesus and the Jerks, 13.13, 8-Eyed Spy and Shotgun Wedding as well as touching on her solo debut “Queen of Siam” (ZE Records, 1980) and various other projects up to the present. The reception to these hour-long sets of bloodyminded sonic bullying was uniformly rapturous. To quote V. Vale, of RE-Search infamy: “That was the most intense show I’ve seen you do, Lydia.” Intense it was, and the smoldering intensity of that tour is trapped on this ripping new release. As one will hear on this album, RETROVIRUS is a well-oiled monolith of a unit: Scathing guitar shrapnel strafing ominously massive bass slabs, hurled forward by pulverizing drum thunder and topped by Lydia’s signature perma-scowl vocals. This is no county fair cover-band – RETROVIRUS is a totally modern take on the atrocities of the past and present, devoid of simpering nostalgia, bristling with a scoriatingly modern sheen of violence and momentum. Now is the time for people to get INFECTED.”

Whore Paint:

“In a pre-post-feminist rage-fueled dystopia, Providence, RI’s Whore Paint claims a Riff Rock/No Wave/Crooner Shred hybrid as the only suitable expression of political discontent, borderline social anxiety, occasional violent outbursts, sexual discernment, periodic bouts of euphoria, and whatever that feeling is you get after a good high five. Members of Arcing, Teenage Waistband, and Made In Mexico; affiliated with Just Seeds Cooperative, Girls Rock! Rhode Island, the Dirt Palace, and Machines With Magnets.”

Finished

*Doors at 7:00// Show starts at 7:30