Saturday, May 26th, 1-4pm --- Register Here
If you haven't checked it out already "5th Moon," a show of artwork by AS220 Youth members Eugene Petty and Kenneth Norman is up at the AS220 Youth Gallery on the second floor of 115 Empire. These two dudes have been busting their behinds all year in Visuals, Photo, and Fabratory classes and have a ton of 2D and 3D artwork to show for it.Eugene's scenes of the natural world will meet Kenneth's alien beings from dark regions of space!
This week in AS220 game design news, Kenneth Norman has some amazing concept artwork up in the Youth Gallery. His opening was Sunday the 6th, and if you weren't there then you missed out on a great time. Eugene Petty was also there. He's not that into game design so he doesn't count. Nice kid though. :)
Over at the RBC we're still making a new WW II boardgame in which the players escape from a concentration camp. I'm really looking forward to seeing how the game turns out.
Downtown classes were a hoot. We're getting into overdrive on projects. I also found out halfway through the term that our kids from Juanita Sanchez who are here as part of the HUB ELO program are going to present their work in front of a panel including myself, their teacher of record, and people from the community. The kids have to show what they've done, talk about it, and also teach it in front of this panel. This came as a surprise to both me and the kids. Its a neat plot twist to the overall game.
-Matt
Not too long ago Nick's drawing class went to one of the coolest places in Providence, RISD's Nature Lab, to check out its of thousands of taxidermy animals and weird specimens in jars. Raul finally got to draw from a real skeleton instead of taking favorite-artist OG Abel's word for how they look; Sasha and Sharon drew exotic feathers; Kiara drew weird seed pods in beautiful jars; Patricio drew a crow to match his look; Janayzia drew a coy fish, a swan, and some weird bacteria under a microscope; and last but not least Simcha drew a very impressive rendering of a red fox's skull.
These sketches will serve as a great resource for future drawings, cause nothing compares to drawing from life! Get off the computer, go draw something!

Saturday, May 12th 4-6pm
Artists' Talk and Closing Reception of
delicate shudder
at The AS220 Pop-Up Gallery
Featuring an artist talk by Dana Dunham & a special Skype performance/talk by Maralie Armstrong-Rial



Buy your tickets for Below and Beyond! http://www.brownpapertickets.com/event/248793
It's gonna be packed, and why shouldn't it? Beth Nixon and Missoula Oblongata make the most magical things! About the show: Inspired by the long-submerged Mill Creek of West Philadelphia, as well as current debate about fracking in Pennsylvania, this original play explores the complications of what lies beneath our feet. Using puppets, pulleys, movement, maps, and the imagination, the performance examines the intricacies of extraction and recognizes a waterway that continues to resurface. Tree house, houseboat and bunker dwellers unite amidst an invasion of urban water buffalo. All this, plus a one-man band!
We are looking for proposals from web design/development teams for an major website overhaul. To learn more, download the fairly comprehensive RFP detailing our projected page needs and the functionalities we desire and require from a site. We plan to meet with any teams whose proposals pass an initial review before the end of the month so we can get this project underway!
Check out the RFP
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AS220 is searching for a full time Fabratory (AS220 Youth's Media and Technology Program) Coordinator to oversee the initiative which includes instruction in 2D and 3D design, video game design/development, and computer competency as well as budget management, hardware and software maintenance, and basic case management. If you are a technical artist with strong management skills and a strong commitment to serving "beyond risk" youth - we encourage you to check out the details on this position and consider whether it might be a good fit.
We are also currently hiring for a full time IT Director to assist with: desktop support, hardware and equipment upkeep, and server, software, and web site maintenance. Check out the job description - if you know what everything in it means, you are more qualified then most of us!
Like technology a lot, but perhaps a tiny bit less than you need to to be a happy, well-adjusted IT Director?
It just so happens that we are looking for a full time Communications Director! Be a skilled writer and editor, as well as a discerning art director(and maybe even a little bit of a graphic designer when the need arises) who can juggle lots of social media accounts and strategically oversee the marketing needs of AS220 and its many programs.
Studio on communal residential floor at 115 Empire St - available June 1st 324 square feet, $398 per month plus a $10 per month kitty contribution for cleaning supplies and communal expenses and 5 hours of community service to AS220 per month. This unit is affordable, meaning the income of the resident must not exceed $26,100. Heat and hot water are included, but electric is not included. No parking is provided, and sorry animal lovers, pets are not permitted. The building is smoke free. Residential artists must be committed to building a creative community and be engaged in creative pursuits. Don't forget to include proof of income, such as 4 weeks of pay-stubs or similar with your application!
Work studio on the second floor of the Dreyfus Building at 95 Mathewson St 215 square feet, $211 per month. Applicants must show a commitment to their creative work and are expected to contribute 5 hours per month in community service to AS220. Apply by Wednesday, May 23rd at 5pm.
Work studio in a shared suite on the second floor of the Dreyfus Building at 95 Mathewson St 315 square foot room (excluding common area around the entrance) in the 2 room former home of AS220's Printshop for $346 per month. Share space with an interactive designer looking to stimulate his working environment with another artist or a small group of artists and/or designers. The work should not generate dust and chemical smells because of the computer focus of his work. In addition to rent there is a 5 hour monthly community service expectation. Apply by Wednesday, May 23rd at 5pm.
To apply for any of these spaces submit samples of your creative work and AS220's live/work application to:
AS220 Attn: Susan Clausen
95 Mathewson Street #204, Providence, RI 02903
or via email to: susan@as220.org
In The Galleries - May 6-26, 2012
Opening Reception Sunday, May 6, 2012 4-7pm
AS220 Main Gallery (115 Empire St)
Trees - New Work By Sharon Donahue
& Rhode Island Lighthouses - New Work by Richard Hanson
Open Window (115 Empire St)
New Work by Henry Brown
Youth Gallery (115 Empire St Floor 2)
New Work by Petty Eugene & Norman Kenneth
AS220 Project Space (93 Mathewson St)
Ruminations - New Work by Claudia Flynn

95 Empire director Ric Royer sits down with Alex Platt and David Rabinow of Elemental Theatre, the current resident company at The Empire Black Box. Read on as Ric delves deep into their psyche with questions about their pain, their process, and their power-strips, in their current show at 95 Empire: Vacancy!
Ric Royer: Hey guys, let me jump right in with a wonky question: when you say co-wrote Vacancy, did you write it together or apart?
David Rabinow: We wrote separately, but we did periodically check in and listen to what we were writing; we also used that check-in time to get feedback from the other Elemental-ers. I tend to go pretty deep into the tank when I'm writing something, and need to carve out a lot of solitary writing time. But the check-ins afforded me the chance to hear Alex's piece and draw some inspiration from his work.
Alex Platt: Yes, written independently, but with an eye toward a shared location that we felt would lend to overlapping and blending of the material. Basically, we liked the idea of a motel room for a couple of reasons: First, nothing good (or maybe wholesome is a better word) ever happens in a motel room. It is a liminal space for those between a rock and a hard place. Second, walls are paper thin in motel rooms and the voyeuristic quality of being able to hear strangers doing strange things next door seemed great. But we definitely wrote the scripts with an eye for overlapping the scenes, which meant coming up with creative scene breaks.
RR: I see, so the audience sees between the motel room walls. Instead of breaking down the fourth wall in this piece, you're putting up a fifth! Would you say this is a procedural departure for Elemental or are you all used to mixing it up a bit in the process of creating a show?
DR: We really do try to do something different each time; usually, when we let ourselves work in a new way - float in uncharted waters, so to speak - we're more likely to surprise ourselves (and hopefully our audience). And I really believe that the "art" (whatever that is) exists and comes from those moments when put yourself in a position to be surprised. As a company without a truckload of material resources, I think what we do have to offer an audience lay in our ability to show them something they've never seen before in ways that don't involve special effects or technical wizardry.
AP: It certainly feels familiar to the production team, as we've been involved in this process before. But the thing is, we try to create new rules each year. We've done shared location plays before (The Father, the Son and the Holy Go.Go was an evening of three plays all set in a cabin) but the overlapping is certainly a new challenge. And the cast is six actors who've never worked with Elemental before. I think one of the great things about the Go.Go festival is that our audiences are never really sure what they're going to get. I fear predictability on an almost pathological level, so it's very important to me that we're not repeating ourselves. And this year is certainly no exception.
RR: You mentioned the Go.Go festival, the poster for the show - beautiful by the way, who made them? AP: Kate Huot, a local graphic artist who did our previous Go.Go poster (GoGo 5); her stuff is always really fun and playful and engaging.
RR: Yeah, the poster states that Vacancy is the "sixth annual Go.Go plays". What's all this Go.Go?
AP: The Go.Go. plays are based on the "bake-off" model of playwriting. We give our playwrights dramaturgical restrictions and time constraints and commit to producing their work before they write one word. It's terrifying, as we never know what the pieces are going to be when we begin. But as we've shaped and refined this process we've gotten better at it over the years. We try to work with local artists that excite us and challenge us and are willing to contribute to the fly-by-the-seat-of-your-pants theatre that we love. This year's group of artists, from the actors to the design team, are really amazing and really know how to roll with the punches.
DR: It's true! We've been doing these short-term writing challenge plays (insta-plays?) for six years now. We did it one year just to see if we could. And we kept doing it because, well, it's fun to create new work. We've tried to alter the format/presentation/challenge dramatically every year, but this is the first time we've ever tried to combine two distinct plays in such an intimate and intricate fashion.
RR: I try not to be too nosy about what artists are putting in the Black Box, my curatorial method is just to ask people how many power-strips they might need, if we have that many, I sign a contract immediately, but -
DR: No! But I had to fill out a form!
RR: Okay, there's more to it than that. But anyway, leading up to your residency, when I allowed myself to snoop and asked each of you about the play, you both said "it's dark", then you put your heads down and gazed deeply into your beer. Are you guys okay?
AP: Quite fine, thanks -
DR: - No, I'm not... but seriously - because we had to write these plays so quickly, we didn't have the luxury of questioning ourselves. I think Alex and I really had to honor our initial impulses and follow them as far as they would take us. We both started writing pretty dark, creepy plays, and we didn't have time to second guess that. But I'm really happy with how it's all turning out - they're dark, but i don't think they're heavy or pretentious or anything - I think they live closer to horror/thriller kind of movies than, like, deep tragedy or anything. It ain't Long Day's Journey Into Night (which I love! Don't hate me, Eugene O'Neill enthusiasts!). And there's a surprising amount of humor and laughs in the plays; there just aren't a lot of "jokes" in the traditional sense. I also think "darkness" is a really interesting thing to explore as a writer - I like exploring areas of the world that I'd never be able to traffic in during my regular day-to-day life as a husband, father, and wearer of slacks. AP: I fare better with the darker material. Maybe it's therapeutic to get it out, maybe it's just indulgent. I don't really care as long as the work is good. If I'm happy with the work, I'm happy.
RR: This all sounds exactly like the kind of work that crawls right up my alley. It's often a bit too easy to throw the "David Lynch" tag at anything that sounds dark and weird, but I have to admit, this conjures Lynch for me.
AP: I think the thing that Lynch does extremely well (or annoyingly well, depending on your perspective) is to muddy the line between dream and reality. I'm a big fan of blurring that line as well, so in that respect I can see some similarities. I'd be lying if I said I hadn't thrown around the "Twin Peaks" moniker a few times when describing the show. But I think that was a way for me to describe something that was difficult to describe. So, long answer, but yes, I think you're onto something: if it's dark and weird we call it Lynch. I've been accused of worse.
RR: I like working with restrictions. The way you wrote the play sounds great, you were given a challenge, and you responded to it. Beyond taking up the challenge, were you responding to any other impulse that made you feel that this play needed to be created, staged?
DR: That is - for me - always the most terrifying question, and the one I'm continually asking myself. It's the hazard of agreeing to produce something before it's actually written. "Does this play need to be done?" Or put another way: "Why do this play?" I think, as a writer, I just try to trust those initial impulses, and trust that there is something in those impulses that is crying to be heard. It's a little backward, but I do think it's rooted in believing in the writer's voice, and using the incredible directing/designing/performing talents working on the piece to help uncover the play's raison d'etre.
AP: The play is relevant if it's good theatre. Theatre puts us in a room with strangers and asks us to witness a live event. You breathe the same air as the actors. You're mobile devices have no business here. As we continue to become more and more plugged in I think it falls on theatre artists to keep reminding us that at our core we are social creatures who like to communicate with the people in the room with us. Which is not to say that I don't like relevant theatre, I do. If it's powerful. I will say that I tend to favor theatre that speaks to social issues rather than political issues. Which is a fine line, I know. I feel like I'm about to get off on a diatribe now, so I'll close in saying that we felt this piece needed to be created because we believe in new works. Simple as that.
Vacancy, written by Alexander Platt and Dave Rabinow and directed by Alexander Platt, runs April 26-May 6, 2012.
Tickets are available at the door and online here: www.brownpapertickets.com/event/243243
More info: http://as220.us/95empire
"The Bearer" by Claudia Flynn now on view at the AS220 Project Space
Opening Sunday, May 6th from 4 to 7pm
In The Galleries - May 6-26, 2012
AS220 Main Gallery (115 Empire St)
Trees - New Work By Sharon Donahue
& Rhode Island Lighthouses - New Work by Richard Hanson
Open Window (115 Empire St)
New Work by Henry Brown
Youth Gallery (115 Empire St Floor 2)
New Work by Petty Eugene & Norman Kenneth
AS220 Project Space (93 Mathewson St)
Ruminations - New Work by Claudia Flynn
"Eyes of a Woman" mixed media by Petty Eugene on view in the AS220 Youth Gallery
The AS220 Membership Drive concluded yesterday, and everyone who purchased or renewed a membership during the drive was entered to win a print of the Providence mural by acclaimed artist Shepard Fairey.
Congrats to our winning member, Robert Chatham!
If you missed the drive, no sweat - you can still buy an AS220 Membership ($50 a year) or AS220 Super-Membership ($220 a year) online, in the AS220 Bar, or by check.
Thanks to everyone who joined and renewed this year - we look forward to seeing you around AS220!
Individual artistic practice can transform individuals. Bring those individuals together, with shared space, programs and experiences, and the transformation expands. The arts animate our communities, bring people together to share common experiences, stimulate our imaginations and help us foster a rich and varied quality of life.
The public value of the arts is an ongoing debate. There are those who believe that intrinsic benefits of the arts experience, such as aesthetic pleasure and captivation, have only private, personal value. Many believe, us among them, that both individuals and communities benefit from the arts.
On May 24th, AS220 and Providence Department of Art, Culture + Tourism will host the Pell Lecture, an annual lecture honoring the late Claiborne Pell, who represented Rhode Island in the United States Senate from 1961-1997. He is best remembered for being a champion of education, the arts and humanities.
The panel will discuss the role of arts and culture as a tool for revitalizing communities, looking at the structure and dynamics of community arts infrastructure.
The 2012 Senator Pell Lecture on Arts & Humanities, hosted by Mayor Angel Taveras, presented by AS220 and the City of Providence, with Special Guests:
Maria Rosario Jackson, PhD, Colin P. Kane, Manya K. Rubenstein, representatives from the National Endowment for the Arts (NEA) and the City of Providence, Moderated by Marc Joel Levitt
School@95 continues to offer affordable and fun drop-in dance and fitness classes this May, adding yoga classes to the mix. Plus a special one day only opportunity to dance with Melody Ruffin Ward! Check out the video of her work above and scroll down for the full this month's full schedule of classes.
Modern Dance Masterclass with Melody Ruffin Ward
Saturday, May 19th 2012, 11am-12:30pm
$10-$15 sliding scale
This one day masterclass is an exciting opportunity to dance with RI-based dancer/choreographer Melody Ruffin Ward.
The class will focused on intermediate/advanced modern dance technique anchored in Melody's love of spacious phrasing.
Poet Tim Seibles describes Melody Ruffin Ward's work in choreography and dance as having "the physical capacity to articulate the delights and lyrical mysteries of being human." A graduate of Spelman College with a B.A. in English and Education, with an M.F.A. from the University of Michigan in Ann Arbor, Ward currently teaches at Roger Williams University as an Associate Professor with the school's Dance and Performance Studies program. Ward is the founder of "The Turning House Project," which grew from her reflections on interacting in the world as an artist, and she is currently involved with The Bell House as a guest artist (www.bellhousearts.org).
Melody reflects, "My work is focused on movement that is gestural and based in a love for spacious phrases that are rooted in the earth. I love the conversations that happen with bodies in classroom settings. In this space I think of it as me and the dancers in a lab finding answers in our bodies while being transformed physically."
Weekly dance, yoga, and kickboxing classes at 95 Empire
Mondays, 5:45-7:15pm
Gentle Flow Yoga with Jamie Arnold, RYT
$8
Join dancer and certified Kripalu Yoga guide Jamie Arnold for her gentle flow yoga classes every Monday at the 95 Empire Dance Studio. Relax your mind, focus your breath, reduce your stress - find your own dance through this guided experience. Create an intention for yourself through the fluidity of your movements. Cultivate love and inner peace as you move through your practice. Allow your inner self to be revealed.
Jamie Arnold : Jamie is a certified and licensed Kripalu Yoga guide and dancer working out of Warwick RI and a graduate of Rhode Island College with a B.A. in Dance Performance, where she was a member of the College's Dance Company. Jamie attended the American Dance Festival in Durham, NC and was in residency at The Dragon's Egg Studio in Ledyard, CT and has performed in Trisha Brown's Floor of the Forest at the ICA in Boston and with Between Movement Contemporary Dance Company.
http://tranquilyoga.org
Mondays, 7:30-9pm
Advanced Modern Dance with Jessica Howard
$13/$60 for 6 classes
This modern dance based class embraces technique, improvisation and composition skills. Participants learn to embody a state of presence and grace. We will focus on moving with efficiency while testing endurance and increasing stamina. This dance practice moves in and out of the floor, upside down to right side up, and from the inside out.
Jessica Howard: Jessica is a freelance performing artist, dance educator and yoga instructor and the founder and Artistic Director of The Heron Studio in Fall River. She dances with Lorraine Chapman, the Company, and is on the teaching roster for ACT at St. Andrew's School.
http://jessicahoward.syi.me/
Tuesdays, 9:30-11am
Modern Dance for Grown Ass People with Peter Deffet
$13/$60 for 6 classes
This modern dance class is for everyone from the absolute beginner to the experienced dancer. Class begins with a gentle awakening and opening of the body moving into sequential extension of the spine, loosening of the hips and shoulders and strengthening of the limbs through technique, finishing with choreography to tone body and mind.
Peter Deffet: Peter is a multi-disciplinary performing artist and arts educator residing in Rhode Island. His works of dance, theater, music and puppetry have been seen in Rhode Island, Massachusetts, Connecticut, and NYC. His most recent projects include his ongoing appointment as Guest Artist at Connecticut College, where he has directed and choreographed HAIR (2009), The Rocky Horror Show (2010) and The Threepenny Opera (2011).
Tuesdays, 5:30-6:30pm
Drop-In Kickboxing with Cristina DiChiera
$6
Cristina began doing cardio-kickboxing workouts 15 years ago and has taught independently and at the YMCA for 5 years. Her high-energy classes incorporate kickboxing moves, aerobic activity, pilates core strength exercises, and yoga-inspired warm-ups and cool-downs. Groove Armada, Posatronix, Mary J Blige, and Le Tigre make this class a ton of fun. All fitness levels are welcome - ways to do each exercise at varying levels of intensity are demonstrated. Participants must wear gym shoes and a yoga mat and water bottle are recommended.
Cristina DiChiera: Cristina began doing cardio-kickboxing workouts 15 years ago and has taught independently and at the YMCA for 5 years. During the day she works at the Rhode Island State Council on the Arts and in the evenings she gets most of her exercise by chasing around her very energetic 4 year old daughter.
Wednesdays, 12-1pm
Lunchtime Vinyasa Yoga with Julie Shore
$5
A one hour beginner Vinyasa yoga that focuses on the foundations of classical Vinyasa flow, emphasizing movement and breath as synchronized experience. Attention to fundamental asana (postures) will prepare students for their flow sequence and is designed to help beginners develop their own practice.
Julie Shore: is an experienced and dedicated yoga practitioner. A California native she has been practicing since childhood. She is currently completing her apprenticeship with Tom Gillette at Eyes of the World Yoga Studio. Yoga has been the grounding force in Julie's life and she is eager to share her practice and passion with her students.
Wednesdays, 6:30-8pm Modern Dance For Every Level with Jamie Arnold and Stephanie Turner $13/$60 for 6 classes
Class begins with a warm-up that incorporates yoga and breathwork with gentle movements of the spine before moving on to phrase material. A series of short phrases will then be explored, where students are encouraged to play and experiment with how his/her individual body prefers to move through the demonstrated movements. The phrases include elements like directional changes, movement through space, spirals, rotation, lines, momentum, energy and floorwork. Movement may carry over from previous classes and blend into the dance material. Each phrase that is developed will lead to a rich and colorful dance toward the end of class.
Jamie Arnold: Jamie is a certified and licensed Kripalu Yoga guide and dancer working out of Warwick RI and graduate of Rhode Island College with a B.A. in Dance Performance, where she was a member of the Rhode Island College Dance Company. Jamie attended the American Dance Festival in Durham, NC and was in residency at The Dragon's Egg Studio in Ledyard, CT and has performed in Trisha Brown's Floor of the Forest at the ICA in Boston and Between Movement Contemporary Dance Company.
Thursdays, 6:30-8pm
Jazz Dance for Every Level with Peter Deffet
$13/$60 for 6 classes
Peter Deffet's Jazz Dance Classes explore the connection between music and movement.
Techniques focus on fluidity and percussion in the body, while choreography focuses on a range of jazz styles, inspired by classic show choreography from Fame to Chicago to more contemporary inspirations like Janet Jackson.
Peter Deffet: Peter is a multi-disciplinary performing artist and arts educator residing in Rhode Island. His works of dance, theater, music and puppetry have been seen in Rhode Island, Massachusetts, Connecticut, and NYC. His most recent projects include his ongoing appointment as Guest Artist at Connecticut College, where he has directed and choreographed HAIR (2009), The Rocky Horror Show (2010) and The Threepenny Opera (2011).
Saturday, 10 - 12:30pm
1st and 3rd of each month
Contact Improv with Shura Baryshnikov and Stephanie Turner
$10/$15
Class 10 - 11am and Open Jam 11 - 1230pm
$15 for both, $10 to join the jam
Contact improvisation is a dance technique in which points of physical contact provide the starting point for exploration through movement improvisation. Class will help you learn the basics of the practice, which includes rolling, falling, being upside down, following a rolling point of contact, supporting and giving weight to a partner. Then you will be ready to join the open jam!
Sundays, 12:30-2pm
Intermediate Ballet with Stephanie Albanese
$13/$60 for 6 classes
This ballet class makes classical dance a joy! The class focuses on fundamentals, beginning with a thorough warm up at the barre and progressing to the center for choreographed combinations. Students build muscle as they refine body alignment and learn weight placement to develop coordination. Stephanie's deep knowledge of her craft combines with a warm, good-humored manner to create a comfortable yet challenging learning environment. This is the perfect class for people who have some prior ballet experience.
Stephanie Albanese: Stephanie is a graduate of The School of American Ballet where she studied with teachers Alexandra Danilova, Helen Dudin, Suki Shorer and Stanley Williams. She danced in a repertory company created by former New York City Ballet member Wilhelmina Frankurt. Stephanie has also danced with choreographers Matthew Brokoff, Marcus Galante, Mary Miller and Felice Lesser and also worked in Cabaret, performing at The Lido in Paris and Jubliee in Las Vegas.
For more information contact education coordinator Leigh Hendrix at hendrix@as220.org

SUNDAY APRIL 29th from 6 - 9 p.m.! free & open to the public.
Diego Gomez, "The Renaissance Tran" for a new millennia, offers a fresh, openly Queer, Left-Coast, ESL, Low-Income, Mestizo outlook to AS220.
Like da Vinci, Diego too was born "illegitimately," but unlike Leonardo, didn't go with dad and have access to scholarly texts, but went with mom, a latch-key kid raised by the Television set.
While Leonardo was designing flying machines, churches & advanced weaponry, Deigo was designing logos for textiles sold at Walmart, collaborating on comic books which were nominated for the Lambda Literary Award for Transgender Fiction & performing as "Trangela Lansbury" & "Trans-Phat" (as Drag Queen & Faux King, respectively) in some of San Francisco's top night clubs.
Aside from being a Performer, Comic Booker, Graphic Designer, Diego is also a Poet, Couturier, 'Zinester, Sculptor, Illustrator, Stencil/Graffiti Artist as well as an avid Crafter. In 2010, inspired by Amy Sedaris, Deigo formed'Crafters under the Influence' group "The Needle X Change."
In 2011, Deigo was honored with being included as 1 of the 11 artists chosen by The San Francisco Bay Guardian for their "Hot Pink List 2011".
And now, in 2012, Diego is the Artist In Residence for AS220 and having the first of many solo shows.


Johnny Adimando and Brian Whitney will be giving an artists' talk on Saturday April 28th at 4 p.m. at the AS220 Project Space. They will discuss their current work and the role of printmaking in their processes. It is free and open to the public.

Last week, we kicked off our annual AS220 Membership Drive.
We kept the crowd-pleasing perks from previous years, and added new benefits and more opportunities to engage with AS220 and its community - creating the greatest AS220 membership yet.
Join or renew your membership by Monday, April 30th and you'll also get a chance to win one of the signed, limited-edition "Providence Industrial" prints by world-renowned artist Shepard Fairey (valued at $75), produced alongside the downtown mural in honor of Free Culture 2010.
New Features
New Features
10% off all classes at the Cottage Industries!
o AS220 Community Printshop
o AS220 Media Arts Lab
o AS220 Labs
Drop by AS220 Labs, 131 Washington Street (via the building's rear entrances on Lucie Way) for a casual, open ended demo of the newest 3D printer from MakerBot Industries, The Replicator.
AS220 Youth invites you to join RI Kids Count for a community presentation of 'Data in Your Backyard' exploring Juvenile Justice in Rhode Island. Discussed will be information that reflects the recent and rapid move towards community-based correction. As a dramatic drop in the number of incarcerated youth has been seen in the state, there has been increased numbers of youth referred to residential placements and probation. While data suggests that community-based corrections benefit youth and improve long-term outcomes, local providers are challenged to provide the intensive services that many of these young people require.
A panel discussion will follow. Probation officers, community providers, youth, and families will come together to discuss their experiences with residential programs, probation, court-mandated treatment, and transitioning back to school or work.
Time: Thursday, May 3rd, from 3pm - 5pm Place: AS220 at 115 Empire Street, first floor
Presented in partnership with RI Department of Children, Youth and Families (DCYF).
For more information, contact Anne Kugler.
Naruto Generations is a fighting game that is suitable for anyone, especially for anime lovers. It is a multi-player game that gives you a variety of characters to choose from. You can vary because each character has its own unique moves and specials. Not only that but unlike other fighting games, you can move around and you don't have to wait for your turn to attack. The backgrounds are detailed, and look like they were illustrated using a medium such as, water colors.
Naruto Generations is a good game that brings out your competitive edge and allows you to have fun. You can play against each other in a team or, if you just feel like playing by yourself you can just put single player. Don't know how to play? Don't worry, you can practice before you actually fight against another player or the computer. There is also story mode or free mode to choose from; depending on which character you choose, you'll unlock different rewards. Naruto Generations came out of the creators imagination, which also happens to be a Japanese TV show.
-Kenya
For the past few weeks, students in my 3d Modeling class have been working on modeling their own heads in Blender. This started with a collaboration with Scott Lapham's photo class, taking front, side and back photos of our student's heads. These photos were then aligned in Photoshop and imported into Blender as background reference to model from. This week we took a trip over to the Fab Lab where Josh, one of the Fab Lab students did 3d scans with some bleeding edge technology. We had an XBox Kinect hooked up to Josh's laptop and used a program called Reconstructme to generate high poly models of everyone's heads. These models aren't entirely perfect and they're a very high poly count, so in the coming weeks the 3d class will learn a technique called retopology, which involves reorganizing 3d geometry into a cleaner and more manageable mesh. The end goal of this is two-fold. Students will hopefully walk away with their own video game avatar in Unreal Development Kit. They will also be able to return to the Fab Lab and print their heads on the 3d printer and take home their own likenesses immortalized in ABS plastic.
For the last six months, AS220 Youth has been offering IC3 digital literacy classes to high school graduates at the Rhode Island Training School. The classes cover the basic foundations of computers including hardware, software, and networking. We are so proud to congratulate the latest group of students who have passed their certification tests in Microsoft Office! Not only did they pass, but they are the first people to take the exams at the Training School AND they received the highest test scores that we have ever had. Big ups, no doubt.
TAKE A PRACTICE TEST HERE! SEE HOW WELL YOU DO!
Jesen Tenadi, a local artist and printshop key member, is teaching the Youth Studios' screen printing class about drypoint. We have learned how there are many different ways to print more possibilities on printing. We learned the basic methods of dry point on Plexi glass and how much labor and patience you need to have. Something that really impressed me about the class doing something completely new is that we finally get to print in a different style. I would have never Known that you can print such a beautiful picture from just scratches on a piece of Plexi glass. This new collaboration between the Youth Studio and the AS220 Community Printshop has just been pretty spectacular because we are actually seeing how our lives is going to change right after we graduate from the Youth Studio and off to our journey called life with a bigger knowledge on printing.
Oh Yes, it is true! One of the rights of passage of a RI Artist is the annual application for to the Rhode Island State Council of the Arts individual Fellowship award. This award is meant to support the best work of RI artists in the visual, performing and written arts with a first and second place designations. Winning this fellowship provides artists with cash awards that help support their art practice. This year we are proud that Norlan Olivo, Miguel Rosario and James Sawyer will be applying for the Photography fellowship for the first time. Each of these students have worked to produce strong photographic portfolios in AS220's youth photography program called Photo Mem. Their portfolios show more than simply a collection of photographs, they show engaged young people with a point of view, young people who have reflected on their experiences and their community.
Congrats Norlan, Miguel and James!
Once hearing that the dish of the day was greek salad with pan seared Tilapia ( a mild white fish) two of our students turned their noses up saying "No Fish!". Nicole Sanchez said " I thought it would be nasty, cause I never tried it (it being fish)". Kassy Cardona said " I thought it would just be ok but not great." This kind of skepticism is common at the start of cooking class, but this does not deter our master chef Ricardo Ferrer (aka Dingo). He routinely changes hearts and minds with his flavorful cooking.
What did Nicole have to say about the fish? " I liked it a lot!" When asked if she would recommend it to a friend she definitively said "YUP!". Kassy said " I didn't think I 'd go for seconds, cause the salad had olives and I don't like olives. There were other weird ingredients, like mustard in the salad dressing and capers on the fish, but I would give this meal an eight or a nine out of ten. I would cook this at home, I hope I don't burn it!" Well......it doesn't get much better than that. My stomach can't wait for our next cooking class.
ZUOLOGY HIP HOP SHOWCASE hosted by DJ ShureLive is poppin off next *THURSDAY April 26TH from 7-10PM (doors open at 6PM) *
AS220 Youth 115 Empire Street Downtown Providence
This show is going to be LIVE! We have a Live Band, MC Battles, Dance Cyphers, Live Beat Construction and featured performances by Milez Grimez, Chris DaGreat, Fa Raw, and many others like Project 401, the Boys and Girls Club of Pawtucket, 2Legit Dance Crew and more!!!!
For more information about this show or if you'de like to enter the MC Battle, hit me up!!
Anjel@as220.org
This week we tried something a little different at the training school. We played Candyland. And it was awesome. Up to this point we've been trying different things like designing characters and 2d sprites on paper for video games. But once I finally realized the location we were working at didn't have access to enough laptops, the video game plan got scrapped. The backup plan was to redesign a deck of cards. The interesting thing about modern playing cards is that they're derived from Tarot cards. So the idea was to take their own symbols of power for the four suits, design the numbers, the royalty, and the pattern on the back of the cards. They would have ended up with everything they needed for their own custom deck of cards. I thought it was a cool project but I'm not a kid in the training school. That plan eventually failed as well.
Race to the End Game. That's what this exercise is called. Its a little less incendiary than Race Game. 2-4 players get from Point A to Point B, just like Candyland. It seemed like a good idea when I was looking at it in Wal-Mart. Back in the studio it slowly started to sink in I might just get laughed out of the RITS. The tension built.
All of those nerves were for nothing. This is the power of games and why game design is worth teaching and learning. Something as simple as Candyland provided a momentary escape from the quotidian. One kid said it was stupid and didn't want to play. Eventually even he joined in and got as competitive as the rest of them. I don't think Candyland was ever played with so many F bombs.
There was a point to all of this. I wanted to get them to design their own Race to the End Game. So we brainstormed, drew and made lists until we ran out of time. Some of them worked alone, while others actually teamed up and collaborated. Hasbro had better watch out because these kids are good. We'll see how the rest of the plan comes together.
-Matt

This past week, AS220 Labs sent two instructors up to Haystack's Fab Lab, providing their community with professional training in digital fabrication and technology. Students and teachers from the Deer Isle-Stonington Schools are joined by the Isle au Haut Island Institute Fellow and Haystack staff for continued training in the fab lab--Deer isle village site.
The workshop involved using digital fabrication technology, a laser cutter and a vinyl cutter. Using graphic design tools, such as Inkscape and Illustrator, students learned how to design for digital fabrication and rapid prototyping. Projects included a wooden puzzle set, a fold-up paper box, pins and badges, signs and stickers, printmaking pates, press fit boxes, and other items. Check out photos of the projects in the slideshow below.
This training is the 2nd workshop in a series of digital fabrication and technology trainings that AS220 will be hosting at Haystack, open and and available to the community of Deer Isle, ME. Future workshops will include the CNC Router, 3D Printer, and electronics.
AS220 Labs is home to one of the original Fab Labs in the world, and provides training and consulting to start up Fab Labs around the world.